The MABO Master Collection elevates your footage by giving you a complete cinematic workflow in one place:

• 6 Cine LUTs (for Sony S-Log3, Rec.709 and Monitor LUTs) for rich color, natural skin tones and a consistent look across projects
  
• An immersive sound effect pack with 150+ sounds for hits, whooshes, textures and ambiance that make your edits feel bigger and more emotional
  
• My full Sony camera setup included as a real-world reference, so you can see exactly how everything connects from camera to grade
  
• Step-by-step video guidance for every chapter, so you never get stuck and always know how to go from flat image to finished, cinematic result
  

Instead of guessing, you follow a proven system that makes your work look more intentional, more filmic – and much faster to finish.

Yes. The MABO Master Collection works on all major editing platforms.

• The LUTs come in standard .cube format, so they work in Premiere Pro, DaVinci Resolve, Final Cut Pro, After Effects and most other editors that support LUTs.
  
• All video assets like grain, wipes and overlays are regular video files, so you can simply drop them on your timeline and blend them in any NLE.
  

If your software can use .cube LUTs and video layers, you’re good to go.

No, it’s not only for Sony cameras – you can use the MABO Master Collection with any footage.

The 6 Cine LUTs are designed around cinematic contrast and color, not one specific brand. They work great with:

• Sony S-Log3
  
• Other log profiles (Canon Log, Nikon N-Log, etc.) after basic normalization
  
• Regular Rec.709 footage from any camera or even phones
  

My Sony setup is included as a practical example, but the workflow, LUTs, grain and sound effects are universally usable. If your camera can record video, you can use the Master Collection to level it up.